CIFF 2022 | ‘Runner’ review: Stuffy, thankless Midwestern pretentiousness
Who knew first love could be so bland?
CIFF 2022 | ‘The Great Silence’ review: A great snoozefest
Katrine Brocks’s debut feature about faith and forgiveness starts out strong, but soon falls into staid, illogical shambles.
CIFF 2022 | ‘Monica’ review: A bold and bittersweet family portrait
Trace Lysette and Patricia Clarkson helm Andrea Pallaoro’s new drama, forging new paths in the craft of transgender character studies.
CIFF 2022 | ‘Leonor Will Never Die’ review: Martika Ramirez Escobar’s daring metatextual masterwork
Compulsively enjoyable and refreshingly genuine, “Leonor Will Never Die” is a meta-comedy like no other.
CIFF 2022 | ‘A Human Position’ review: A beautiful but insubstantial drama
Anders Emblem’s insular new drama is a feast for the eyes, but ultimately leaves much more to be desired.