Demi Moore and Margaret Qualley bring their A-game to Coralie Fargeat’s visionary new entry to the body-horror canon.

Writer-director Damian Mc Carthy’s second feature film is an intricately-crafted, genre-hopping cabinet of horrific curiosities.

The Canadian body-horror maestro returns with a perplexing autobiographical thanatopsis that loses sight of itself within its own half-baked subplots.

Magnus von Horn’s Cannes competition debut is a slightly muddled but nonetheless thought-provoking and pertinent arthouse horror hybrid.

Headed by a revelatory Lars Eidinger, Matthias Glasner’s autopsy of the nuclear family project handles its existentially weighty themes with equal pathos and panache.

A vibrant, fascinating, and heartfelt look at the human drive to form communities — virtual or otherwise — in times of strife.

Manuela Martelli draws on the fraught history of her family and home country to weave a haunting tale of life during civil wartime.

As thoughtful and intricate as it is visceral, Michelle Garza Cervera’s debut horror feature makes a scream queen out of rising star Natalia Solián.

Adam Koloman Rybanský and his friends aim for the stars with their debut full-length dramedy, but get lost somewhere in the clouds (and the chemtrails) instead.

Colombia’s official Oscars entry for 2023 is a haunting, phantasmagoric reinvention of the Monomyth that should not be overlooked.

Daniel Goldhaber’s second feature film pulls out all the stops as a defiant, sure-footed eco-terrorism thriller.

Vicky Krieps gives a once-in-a-lifetime performance as an empress out of time in Marie Kreutzer’s feminist fable for the ages.

Alex Thompson’s disappointing second feature wastes a novel premise on substandard execution marred by indecision.

Catalan auteur Albert Serra returns with another intricately-crafted atmospheric drama in which answers are ever out of reach.

“The Blue Caftan” establishes Maryam Touzani as both a vital contributor to new queer cinema and one of international film’s most capable rising auteurs.

Breakout star Park Ji-min electrifies Davy Chou’s much-needed exploration of what it means to truly “belong.”

Alex Phillips’s directorial horror-comedy debut positions him as the poor man’s David Cronenberg… but the poor man already has David Cronenberg.

From one of Turkey’s foremost directors and political historians comes a gripping, incisive study of how power turns men into monsters.

David Dawson and Emma Corrin elevate Michael Grandage’s misguided Harry Styles hype vehicle just past mediocrity.

Romania’s stalwart arthouse director Cristian Mungiu returns after six years to examine Europe’s rising tides of racism and xenophobia.